Özet:

Alisher Navaiy takes advantage of using ideas of sufi’s connected with state in his ghazals loading them with religious concept. In this way, the mystic poet gives literary depiction of his remarks about the achievement of spiritual enlightenment. Therefore, the ghazals of the well-known poet demand us to uderstand artistically depicted religiuos concepts in them, to take aethetic pleasure of exaggerated literary scenes, to be aware of religious concepts put forward by the poet in order to feel deeply the great poet’s unique literary ability to decribe his characters and the connection of the ideas with religious concept. Keeping secret of love feelings is also one of the concepts included into such concepts. According to Navaiy’s point of view, when expressing the feelings connected with love, man can not be mahram, that is confident to a beloved one. Even one can not trust his/her heart to think about telling such secret thoughts. Likewise, the tongue can not be mahram (confident) to the secrets of the lover either. It becomes obvious that a beloved person suffers from both keeping his secrets and telling them as well. The poet sometimes names the secrets of a beloved as ahli roz, which denotes a person who feels almost dead from revealiing his secrets not to an educated person who can keep screts between God and a human but to other ordinary peaople. The following article discusses such frequent notions appearing in Alisher Navoiy’s ghazals from th collection “Xazoyin ul-maoniy” as well as the reasons why the poet pays much attention to such concepts, especially, the connection of such notions with religion, Naqshbandiya trend to which he himself belongs, the religious meanings of some phrases and terms in ghazals.

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