Özet:

In the ancient Turkish tradition, hunting is a major place. Since the most important survival resources were based on livestock and agriculture, from young age, both men and girls had to be humble in the field of riding and fishing. Thus, the hunting art was among the unnecessary merits of mankind from the past to the present. For the Turks, especially horses, cows and wolves were considered sacred animals, and they were a part of their lives. In the words of the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him) and the Holy Prophet (peace and blessings of Allah be upon him). Thro the centuries, one of the greatest passions of hunters, the "gay" has taken its place in the stories as an important element. Ziya Gökalp's Alageyik (1913) scripture, "alageyik," became a hunting passion by legendating in the novel of Yaşar Kemal's Alageyik (1967) and dramatized by being translated to the stage in "Necati Cumalı's Injured Geyik (1981) game. Alageyik, which is in the heart of Halil with a hunting passion beyond love on the edges of the Toroslar, takes its place in the white edge with the Alageyik films directed by Atıf Yılmaz in 1959 and Surreyya Duru in 1969 and the short animated Alageyik Legend directed by Ali Can Meydan in 2011. In this study, as a reflection of the thousands of years of fishing tradition and culture of the Turks in the Alageyik work of Yaşar Kemal, the youth’s hunting passion by the name Halil will be compared to the east and western culture, in relation to the ancient beliefs, with a text-oriented analysis. Alageyik, which initially became a narrative of the languages in the oral and written literature, here, a short journey to the 'geik culture' as a mythological image in the east and western culture and the story of Halil and Alageyik, which has become a burning variety; the hero's replacement of the "love" of the hunting care, which has become an immense passion, the return of hunting love to an immortal Anatolian legend.

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