The Manisa City was one of production, commerce, culture and art centers where the Ottoman Sultans’ sons had been educated in the areas of language, art and state management during Rule of the Ottoman. Sultans and notables of the palace who had many architectural works such as mosques, madrassas, aims houses, bazaars, baths made, in the same time, had devoted the Korans with high artistic value to these mosques. Today, many of such Korans are preserved in the Manuscripts Library Directorate of Manisa. Three each of 53 Korans in the library which had been dated to the XIV-XXth centuries had been bound as fascicles. In this article, four Korans in the Manuscripts Library Directorate of Manisa are selected as samples. The calligraphers had written their best calligraphies on the Korans, the illuminators had decorated introduction, heading and epilogue pages carefully with motifs, the bookbinders had showed their proficiency on the binds in terms of indicating importance of the Quran. in terms of reflecting the illumination features of the periods and examined heading ornaments of the Korans from the points of motifs, colour and design.
The Manisa City was one of production, trade, culture and art centers where the Ottoman Sultans' sons had been educated in the areas of language, art and state management during the Ottoman Rule. Sultans and notables of the palace who had many architectural works such as mosques, madrassas, aims houses, bazaars, baths made, at the same time, had devoted the Corans with high artistic value to these mosques. Today, many of such Corans are preserved in the Manuscripts Library Directorate of Manisa. Three of the 53 Corans in the library which had been dated to the XIV-XXth centuries had been bound as fascicles. In this article, four Corans in the Manuscripts Library Directorate of Manisa are selected as samples. The calligraphers had written their best calligraphes on the Corans, the illuminators had decorated introduction, heading and epilogue pages carefully with motifs, the bookbinders had showed their proficiency on the binds in terms of indicating the importance of the Quran. in terms of reflecting the illumination features of the periods and examined heading ornaments of the Corans from the points of motives, colour and design.
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