Founded by Hulagu Khan in Iran in 1256, Ilkhanid Empire whose center was Tabriz went out of existence by dividing into pricipalities as a result of death of Ebu Said Bahadır Khan without successor. Within this period, architecture and art developing in Iran is virtually a follow-up of Seljuk art. Apart from a group of Ilkhanid Mausoleums in Kum, Ilkhanids could not make unique contributions to the period’s art and architecture. Having started in Seljuk period generally, architecture and decoration features continued in Ilkhanid period. However, extremeness which could be labelled as baroque in decoration since the beginning of 14th century enabled Ilkhanid decorations to differ from those of Seljuk. It is observed that decorations belonging to early-dated samples were applied with middle relief technique within historical process, and as process progressed, they devolved on high relief. It has been determined that colours, mainly blue and red, were used on mihrabs. Among the mihrabs that were examined, mihrab of Friday Mosque of Urmia has a characteristic in terms of size, Olcayto Masjid has a feature of maturity, and Pir Bakran Mausoleum has characteristics of size and decoration, and mihrabs in Azerbaijan area have characteristics of triangle niche coves. That there is a fire-temple belonging to Sassanian period in Sheikh Haydar Mausoleum in Meshginshahr is also a difference. In the study, in 17 of the structures that have survived to today in the mentioned area, 19 Ilkhanid plaster mihrabs were examined. Technique, style and ornament elements of the mihrabs were identified in detail and evaluated. Names of 7 masters were determined on 19 plaster mihrabs.
Founded by Hulagu Khan in Iran in 1256, Ilkhanid Empire whose center was Tabriz went out of existence by dividing into pricipalities as a result of the death of Abu Said Bahadır Khan without successor. Within this period, architecture and art developing in Iran is virtually a follow-up of Seljuk art. Apart from a group of Ilkhanid Mausoleums in Kum, Ilkhanids could not make unique contributions to the period's art and architecture. Having started in The Hunt period generally, architecture and decoration features continued in The Hunt period. However, extremeness which could be labelled as baroque in decoration since the beginning of the 14th century enabled Ilkhanid decorations to differ from those of Seljuk. It is observed that decorations belonging to early-dated samples were applied with middle relief technique within the historical process, and as the process progressed, they devolved on high relief. It has been determined that colours, mainly blue and red, were used on mihrabs. Among the mihrabs that were examined, mihrab of Friday Mosque of Urmia has a characteristic in terms of you, Olcayto Masjid has a feature of maturity, and Pir Bakran Mausoleum has characteristics of you and decoration, and mihrabs in Azerbaijan area have characteristics of triangle niche coves. That there is a fire-temple belonging to Sassanian period in Sheikh Haydar Mausoleum in Meshginshahr is also a difference. In the study, in 17 of the structures that have survived to today in the mentioned area, 19 Ilkhanid plaster mihrabs were examined. Technique, style and ornament elements of the mihrabs were identified in detail and evaluated. Names of 7 masters were determined on 19 plaster mihrabs.
Alan : İlahiyat
Dergi Türü : Ulusal
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