Özet:

The Covid-19 epidemic changed the ways of life of communities in a few months. In this new way of life, the infamous has taught the communities new ways of knowledge, accumulation and transmission on many topics. Cultural meetings, festivals, workshops, etc. Activities have been cancelled/annulled. The new way of life brought by the global epidemic needed new productions and activities in the world’s cultural field. As the wreck has become global, international cooperation and solidarity has gained importance. First the need for national, then the need for international assessment of the process. Therefore, the involvement of stakeholders and participants in the epidemic process has also expanded. In the world, a variety of policies related to every field of culture have been developed and activities have been continued in new contexts and spaces. During this process, the conservation, transmission processes and forms of the tradition of crafts have also changed. The master-crawl relationship carried out with the knee series learning moved to the digital platform and entered the "cam" between the master and the crawl. The capability of the master to reach the roofs increased. People from many different parts of the world have come together at the same time. In this process, the masters were unable to sell their crafts products due to social isolation. They used the e-commerce method to make income. The artists took social and economic support steps. Credit and funding support, production and cultural-art activities are established to be carried out with the stakeholders. Traditional translators and carriers used online platforms to reach the community and continue to transmit the tradition. This article will discuss the interaction with the positive or negative effects of the epidemic of the handicraft tradition, which is one of the five areas of the Convention on the Protection of Non-Thematic Cultural Heritage (hereinafter referred to as the Convention). For example, the activities carried out by various institutions, organizations and artists, including UNESCO, have been selected and evaluated. In the process of preservation of the tradition, the threats faced by the manufacturing of crafts will be identified in the state of the epidemic. The article addresses the economic problems faced by the people who provide their survival from the production of crafts and the solutions proposed to the ignorance of how the tradition will be transmitted with the change of the place of transfer. UNESCO documents, websites, sample projects, social media and online meetings have been used as data. The hands-on products reflect the effect of the epidemic process while the transmitting processes of the tradition have also existed with the function of keeping people together. In the article, it is found that the process of transmission of the tradition of crafts in the epidemic process brings people together, relieves, gives inspiration and hope. The art tradition has become a tool for social healing. Projects and activities related to the tradition of crafts and crafts provide data on how the tradition was lived during the epidemic process while predicts about the status of preservation and transmission of the tradition after the epidemic. The article evaluates the statistics of countries and stakeholders’ participation in projects and organizations. The conclusion is that projects carried out in accordance with the spirit and principles of the Convention are not equally important to each country. The crafts has shown that their knowledge and skills can adapt to new conditions and contexts.

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