Özet:

The subject of this study is on the Anti-Cinema, where Jean Luc Godard, who describes film art as both an experience and an exhibition work, has created the classic Orthodox Cinema and the traditional narrative technique completely broken. This work is inspired by Godard's new teachings to the film language, looking at it as an intellectual mecra that he can't cut the end to the cinema. Moving from this point of exit, the film Wit, signed by Mike Nichols, was chosen among the productions under the Hollywood Cinema, with the aim of determining whether the film is part of Godard's opposite position. In the end, Godard's thoughts, which were questioning the classical narrative tradition that represented the mother-in-law in the cinema, were linked to the Wit film; it was depicted how these thoughts were built in the cinema language. In this context, it was found that Nichols, gradually following Godard, showed an attitude to the classical style and built a strong bridge between the classical narrative and the modern narrative.

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