Özet:

The history of humanity has passed through different periods from its beginning to the present day. While these periods of history are sometimes separated from each other by war, discovery and historical events; sometimes it has undergone radical changes due to great industrial/technological revolutions. The consumer society that emerged as a result of the Industrial Revolution is one of the biggest phenomena affecting the century we live in. The world-scale universal values ​​created by the capitalist system, which started with industrialization, on the consumption culture have seriously affected the development of art. Various art movements have emerged as a result of the emergence of different perspectives on the artists of the values ​​systematic of the consumer society. One of the artistic/graphic products created by the production industry that started in the 19th century is the art of posters. Banners/posters, which are one of the indispensable promotional elements of the consumption culture, have taken their place on the streets intensively with the increase in production technologies. On the one hand, the posters used for the promotion and display of the production, on the other hand, the artists of Pop Art in America and Nouveau Realisme in France, which emerged in the 1960s, contributed to the creation process for various artistic purposes. Neo-Realistic artists have created many original art forms that reflect, glorify or criticize the consumer society by tearing, pasting and scraping the posters they have collected from the streets. Decollage emerges as a term used in a wide variety of fields, from aviation to cinema, from plastic arts to literature. Posters/posters, which are a part of our daily life, are like mirrors that create and reflect the visual images of the world we live in. While the posters, which contain different themes and images, refer to the dynamics of the period such as culture, art, politics and economy, in addition to their structural features, they have turned into an incomparable technical/thematic/aesthetic material for the artist. Many artists working in line with different artistic understandings/movements have used the decollage technique in their works to reflect, express, express critical and abstract concepts. Unlike the integrative/synthetic aspect of the collage, in which basically similar methods are used, decollage differs from the collage with its features of scraping, tearing and decomposition, and approaches the postmodern perspective more because it reveals new semantic contexts through the fragmentation and reconstruction of its structural features. Contrary to the direction of collage from the parts to the whole, decollage appears in works of art/acts as deconstructive interpretations/meanings of the postmodern paradigm with its structure that breaks the whole and gives new meanings and perspectives.

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