Özet:

In the framework of the study, we tried to figure out how the Turkish nationalism was put to the forefront and how it was used for propaganda purposes in the construction of the anti-Greek public. For this purpose, the type of quality research methods have been studied using music and indicative analysis. The work in the study was analyzed in the light of the Understanding Model of the American linguist Charles Sanders Peirce and the French anthropologist Claude Lévi-Strauss' Dual Contradictions Model. The findings found that in the work a negative perception was built using the enemy abstract concept of the Roms. During and later the Cyprus Peace Movement, the works containing negative representations were written and performed by Turkish ozans, lovers and singers to make the idea of nationalism more effective. The analysis resulted in the result of the work "La (Dügâh)" decision to the "Uşak fourth" to the "Buselik fifth" of the "Traditional Turkish Art Music" official series in the "Uşak Makam Series" to the results that it was performed in the "2/4 (Nim Sofyan)" procedure in terms of rhythmic structure.

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