Özet:

One of the important representatives of the Qur’an literature after Ali Shir Nevai is the Sadiqî Efşâr, known as the Sadiqî mahlas and the Sadiqî Efşâr, who is also the bookmaker of Shah Abbas. In our literature, Sadikî, who has mentioned his name not only with his poet and texture identity, but also with his greatness in the miniature art, has written most of his works in his culture with Farsça. The most important work known in the Turkish literature of Sadikî, who lived in the Safevis period and assumed various duties in the different institutions of the state, is the poet's work, Mecma'u'l-havâs. In addition to the Sadiqî’s texture, there are Turkish poems written and a Turkish monarchy. He wrote his Turkish works mostly in Çağatay Turkish; but he preferred to use both Çağatay and Azeri Turkish in Turkish poems. Turhan Gandjei, who first mentioned his Turkish poems, has limited his research to the poets written in the Eastern and Western Turkish. However, a study in the National Library of Tebriz found that Sadikî’s Turkish poems were not limited to the gazels mentioned. Except for the Gazels, the poet's culture is located in the casides, the gazels left outside of the gazels mentioned, the continent, the backside, and the shapes of the Nazim, as well as the tranquillity. However, the studies in our country about the cult of Sadikî often rely on the information that Muhammad Ali Terbiyet has given in his work called Dânişmendân-i Azerbaycan. In the same library, the cult of Sadikî was seen to have a more comprehensive content than the text made by Muhammad Ali Terbiyet. In this work will be discussed both the Turkish poems of Sadikî which have not yet been published and the name of the cult is not mentioned.

Anahtar Kelimeler: