Özet:

With the weakening of the system meşk in traditional Turkish music, some empty holes appeared in some areas like composition, performing and education. Thus, musical pieces were started to be written down for the purpose of not letting them being forgotten. Neglecting of some knowledge about some music details in the sheets of music that were focused on this conserving purpose, caused the musicians of the post-meşk period, to be devoid of this knowledge and the practice of it. This study was written for ensuring some benefits with neutralizing could be done on the negative effects of some of the problems mentioned by the musical analysis of the sheets of music that reached today. Five different editions of a hymn in the makam Sûzinâk, with different lyrics “Aşkın ile âşıklar” belonging to Yunus Emre and “Taştı rahmet deryâsı”, were compared in this article. The differences between the editions mostly occurring on usûl, points out the problems that had been in the process of writing down the musical piece which had been created and continuously transmitted during a certain time in oral culture. In the article, lyrical and compositional specialities of the musical pieces are analysed, especially relationships between lyrics and the rhythm settlements of the editions are spotted and a sixth edition is created. In the edition that came out at the end of the analysis, a new usûl that is different from the available editions was found, discussed and used. And also some problems were revealed on the usûl levels in music writing styles in traditional Turkish music.

Anahtar Kelimeler: