Özet:

The "profit" form, which was composed in Turkish music from the 15th century to the last quarter of the 20th century, is the largest and most artistic of its non-religious forms. But very few works have been made. The form of the "kârçe" which is composed as short and fair, while carrying the characteristics of the form of profit, has a great importance in the Turkish music in terms of the richness of the makam, usûl, buffet and education. For this reason, the universe of work in Turkish music is "Kârçe Formu" and its example is the work "Rast Kârçe-i Nüh Felek" written by Mustafa Tahralı, composed by Cinuçen Godkorur. A feature of the work is that it is written in the form of a profit. Therefore, from the point of view of the "profit" is a composition that shows that the "profit" forms are processed together from the point of view of the form, important and original. What is the meaning of the Qur’an in the Qur’an, and what is the meaning of the Qur’an, and what is the meaning of the Qur’an, and what is the meaning of the Qur’an, and what is the meaning of the Qur’an? It is intended to clarify their questions. For these purposes, the form characteristics of the movement and how God Coran used the form of profit have been identified and interpreted. The findings were obtained by means of interviews, work assessment and source scan methods, and content analysis was used in the study and interpretation of the findings. The method used in the study is "The form of laughter of Yahya". From here, with the movement, the work has been identified in the seals, bridges, closets, procedures, phrases and sections. It has been revealed with new symbols and terminologies, including the Curve and the Curve. It has been seen that Godkorur has a mathematical composition that establishes the structures of ezgi-usûl-güfte in the classical style.

Anahtar Kelimeler:

Özet:

Composed from the 15th century to the last quarter of the 20th century in Turkish music, the "Kâr" form is the largest and most art of the non-religious forms. However, very few works have been composed. Although it has the characteristics of the "kâr" form, the "kârçe" form, which is composed in a shorter and plain form, is of great importance in Turkish music performance and education in terms of its richness in makam, usûl and lyrics. For this reason, the universe of this study is "Kârçe Form" in Turkish music and the sample is the work named "Rast Kârçe-i Nüh Felek" written by Mustafa Tahralı and composed by Cinuçen Tanrıkorur. A feature of the work is that the poem "kâr-ı nâtık" was composed in the form of "kârçe". Therefore, it is a composition with an important and original structure, showing that "kâr-ı nâtık" in terms of lyrics and "kârçe" in terms of form are processed together. In the study; The composition of Kârçe-i Nüh Felek; How are the form features of chapters, sentences and other melodic construction and their usage of melody-usûl-lyrics? It is aimed to clarify the questions. Based on these purposes, the formal features of how Tanrıkorur used the kârçe form were determined and interpreted. Findings to explain the subject sufficiently; Interviews were obtained by the methods of composition analysis and literature review, and content analysis was used to survey and interpret the findings. In the study; The "Gülçin Yahya Form Analysis Method" was used from Gülçin Yahya Kaçar's "Composition and Perform Analysis Methods in Turkish Music". From this point of view instrumant parts, bridges, repeats, usûl, sentences and sections in the work were determined and expressed. The determination of form analysis, which is one of the sub-steps of the analysis of the work, has been expressed with original representations and new terminologies such as " Composition Structure” and " Performing Flow". It has been seen that Tanrıkorur has a mathematical understanding of composition that constructs melody-usûl-lyrics structures in classical style.