Özet:

The corner tube, considered to be one of the original music instruments, has been used in every culture and geography as a play that communicates with the gods. In this speaking, which is just the discharge of a corner, the sound is obtained by flushing from a hole opened to the side, or from a sudden end. These pipes are scary, discomforting, separate from all the other plays by making an animal sound. This play, which is often referred to as the nephir in the Islamic period, has remained back-planed with the preference of metal pipe, but has been rearranged with the dissemination of the tasavvuf ecolies. In the Turkish-Islamic tradition, the Nepheri, which was appreciated in almost all the religions, primarily in the Begths, was identified with the traveler dervises. Although it has a limited broadness of sound, it appears in its blessing as a ritual play; the nephirinism, shape and sound characteristics are effective. These three factors explain the spiritual and western qualities, along with the material and subjective characteristics of the Nephrine. In this context; the material, the form and the material relationship of the Nephrin; Hz. Adam, Israfil and Hz. Ali can be read as a spiritual formule in the form of the beginning, the end and the end. In this study, only the corner has been assessed, the main phenomena of the Turkish-Islamic tasavvufdought is the material shape and sound characteristics of this play aimed at revealing the iconographic evolution that develops around. In this context; written sources have been evaluated and the visual material has been used for the use of miniature, drawings and photographs among some of the nephirical examples that have reached our day. Ali, Zülfikar and Hz. Adam, Israfil and Conversion.