Özet:

Yunus Emre, one of the most important and influential characters in the Turkish culture history, is a historic person subject to various literary types in Turkish literature with his life story and especially his backgrounds. In some novels we discuss the encounters with important figures of Turkish culture and history and the influence on them and therefore on Turkish culture, while in some novels we see him as a novel person in the center of the novel. Sometimes, in a theater, the story of his life is told. The Tasavvufic direction of Yunus Emre is mostly processed in literary species along with their minds. These arguments are mostly handled by movement from historical and tasavouffic sources. Some works can be translated into a language that literary species requires without changing what is stated in historical and tasavouffic sources, while some works can be seen in these languages that are broken. Of course, there may be a variety of reasons related to the work or the author. In this statement, we will also examine the devotion to the historical and tasavvufic sources in many works of different kinds of Turkish cultural history by Mustafa Necati Sepetçioğlu with my name Yunus Emre novel, Yunus Emre in the theatrical game, which he uses to describe Yunus Emre. The two works of Mustafa Necati Sepetçioğlu will be studied by the text analysis of the fiction world (event, personnel, time and place processing). In this context, the writer’s two works will also describe the memories of the Order of Yunus while it will be determined whether there is a breakdown in historical and tasavvufi facts. If there is a breakdown, the cause of this breakdown will be discussed, the causes of this breakdown will be tried to be revealed.