Özet:

Camille Laurens, who reflects the traces of her life in her novels, is mentioned among its important autobiographers in Contemporary French writing. The summer critic and writer Serge Doubrovsky describes the self-righteousness he revealed in 1977 as a postmodern change in his self-righteous story. Intertext, one of the most notable characteristics of postmodern writing, appears to us as one of the most notable characteristics of the summer universe by Camille Laurens, which has taken advantage of all the possibilities of postmodern writing with a spectacular integrity. The author clearly expresses that other texts are based on his own novels both in his speeches on his novels and through his narrative-persons in his novels. Camille Laurens often applies to different intertext methods by putting some pieces of different texts into the story, putting another story into the story and rewrite his own works. We often find examples of intertexting in the novel Ni toi ni moi and Cet absent-là, where continuity, rupture and fragmentation are first seen at the moment. Indeed, Ni toi ni moi and Cet absent-là are like the intersection of other texts. This also shows that the novels are in a lot of characteristic. In this study, we will focus on how the writer has placed the pieces he has received from other texts, using which intertext methods he has placed in his authoritarian works called Ni toi ni moi and Cet absent-là.

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