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Abstract “K-Punk at large”, translated here, was originally published in the New Left Review, edition 118, from July-August 2019. Simon Hammond, in this article, provides a broad overview of the work of English philosopher and cultural critic Mark Fisher (1968-2017), focusing on the K-Punk collection, launched in 2018. It examines the maturation of Fisher's work from Capitalist Realism (2009), his first book, to Acid Communism, the book he left only sketched, apprehending it in dialogue with Stuart Hall, in the tradition of English Cultural Studies.
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