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İslâm’ın ilk yıllarından bugüne fıtrî bir olgusallık taşıyan mûsikî sanatı, hayatın tüm mecralarında varlığını göstermiştir. Râşid halifelerle beraber İslam Devleti sınırlarını genişletmiş, yeni kültürlerle tanışılmış ve ictimâî hayatta ilmî faaliyetler artmıştır. Mûsikî sanatı da ilk halifelerle birlikte ibtidâî olarak icra edilmekten ziyade bahsettiğimiz vesilelerle profesyonelliğe doğru evrilmeye başlamıştır. Emevîler döneminde bir sanat dalı olarak beliren ve devlet erkânı tarafından da ilgi gören ve dahi himaye edilen bir uğraşı halini almıştır. Ancak, Abbâsî devletinin geniş kapsamlı kültürel faaliyetleri ile birlikte mûsikî sanatı, ilimler sınıflandırmasında yer almış ve bu sanatın kâideleri belirlenerek nazariyesi oluşturulmaya başlanmıştır. Mûsikîşinaslık ise bir meslek olarak kabul edilmiş, mûsikî icracıları bu manada yaşam sürdürme kaygısı duymadan sanatını geliştirmeye teşvik edilmiştir. Abbasi döneminde önemli oranda gelişme gösteren mûsikî sanatı, devletin halifeleri ve halife çocukları tarafından da ilgi görmüştür. Hükmî ve siyasi bazı engellerin hanedan üyeleri üzerinde etkisi görülmüş olsa da, mûsikîye olan kabiliyetleri, onların bu sanatta faaliyet göstermelerine mani olamamıştır. IX. yüzyıldan günümüze ulaşan eserlerin en önemlilerinden kabul edilen Kitâbü’l-Egânî bağlamında ve tarihsel müzikoloji yöntemi kullanılarak ilk dönem Abbâsî hanedan üyelerinin mûsikî yaşantılarına, icra hayatlarına ve bestekârlıklarına dair rivayetlere yer verilecek olan bu çalışmada, 12 mûsikîşinas/bestekâr hanedan üyesi konu edinilecektir. Yine kaynak tarama yönteminin de temel alındığı bu makalede, Kitâbü’l-Egânî’de yer alan bu isimlerin örnek birer bestesinin güfteleri, usulü ve eserle ilgili var olan diğer bilgilere değinilecektir.
From the first years of Islam to today, the Musical Art has shown its existence in all the memories of life. The Islamic State has expanded its boundaries, met with new cultures and increased its scientific activities in the existing life. The musical art has also begun to evolve towards professionalism with the occasions that we mentioned rather than being performed as a worship with the first caliphs. In the time of the Emevîs, he became an art branch that appeared and was also interested in the state and even protected by the government. However, along with the extensive cultural activities of the Abbasian state, the musical art took part in the classification of the sciences and the castles of this art were determined and the Nazareth began to be created. Mosquitoship was considered a profession, and the musicians were encouraged to develop their art without worrying about continuing life in this sense. The musical art, which was significantly developed during the Abbasi period, was also interested by the state's caliphs and the caliphs' children. Although some governmental and political obstacles have been influenced by the members of the dynasty, their musical abilities have not been able to prevent them from operating in this art. The IX. In this study, which is considered one of the most important works from the century to the present, in the Book-Eghanic context and using the historical musicology method, the first period of the Abbasian dynasty members will be included in the music life, executive life and nutrition, the subject will be obtained by 12 members of the Muskishinas/Bedekar dynasty. In this article, which is also based on the source scan method, the examples of these names in the Book of Agnesty will be referred to in the forms, procedures and other information that exists in relation to the work.
The art of music, which has an inherent reality since the first years of Islam, has shown its presence in all areas of life. In the preiod of the Caliphs of Rashid' reign, the boundaries of the Islamic State expanded, new cultures were met with and scientific activities increased in the social life. While the art of music was performed primitively with the first caliphs, it started to evolve towards professionalism with the aforementioned developments. The Music emerged as a branch of art during the Umayyad period, attracted attention by state officials and became a protected. However, with the extensive cultural activities of the Abbasid state, the art of music was included in the classification of sciences and the rules of this art were determined and the theory started to be formed. Music-lover was accepted as a occupation, and music performers were encouraged to develop their art without worrying about living. The art of music, which developed significantly during the Abbasid period, was also attracted by the caliphs of the state and their children. Even though some legal and political obstacles had an effect on the members of the dynasty, their skills in this art did not prevent them from operating in this art. In the context of Kitâb al-Agânî, which is considered one of the most important works from the 9th century to the present day, and using the historical musicology method, in this paper, which will include rumors about the musical life, performance and composition of the first period members of the Abbasid dynasty, twelve music-lovers / composers will be the subject of the house. Also, which is also based on the source scanning method, in this paper, the lyrics, rhythms of their composition and other information about the book will be given.
Alan : İlahiyat
Dergi Türü : Uluslararası
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