Özet:

The four-country Triangle is the only novel of Salâh Birsel known for his experimentality in our literature. The novel was written in 1957 and when it was evaluated according to the time it was written, it appears that it included some experimental innovations. The author claims that the novel is "the first thought novel of Turkish literature". In addition to this great claim, it is difficult to describe the text as a novel. A reader who recognizes Birsel as a experimental writer can easily find that his experimentality in the novel continues in the fields of language, style and content. This text can be called a experimental novel or experimental novel. Examples of the literary species that the aesthetic modernism has trained in the years of the novel's publication have been seen for fifty years. Therefore, though it is not possible to speak of specific qualities concerning the species, it can be found that the usual forms of writing concerning a species, as seen in this example, have invaded the newly tested species. Therefore, it can be said that the novel is an example of a novel in the style of experimentation rather than a novel. The most important difference between the experiment and the novel is that the second is the plot. But there is no harmfulness in the world. The reminder to the reader of the text's curriculum and the supernatural applied at the end of the novel is a feature we see in the postmodern novel that has begun to develop in modern novels or in those years. But here it appears that it is applied to surrender instead of purposes such as the disappearance of fiction and true distinction or the author wants to show the fiction of the truth, and the fiction that has begun toward fantasy is saved from the disappearance that the fiction has entered. This article is an assessment of the narrative characteristics of the Four-country Triangle, especially the trial of the relationship with the trial as a non-fantastic type.

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