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Özet Türk edebiyatının önemli şahıslarından birisi olan Mustafa Necati Sepetçioğlu, ününü tarihi romanlarla kazanmış olmasının yanında tiyatro eserleri de kaleme almıştır. Tiyatro eserleri şunlardır: Çardaklı Bakıcı (1969), Köprü (1969), Son Bloklar (1969), Büyük Otmarlar (1970), Her Bizans’a Bir Fatih (1972), Yunus Emre (1933). Yayımlanan tiyatro eserleri arasında yer alan Çardaklı Bakıcı üç perdeden oluşmaktadır. Tiyatro eseri, fal ve büyü işleriyle uğraşan, bahçesindeki gerçekliği bilinmeyen “Cafer Baba” türbesini kullanıp kendisini evliya gibi göstererek insanları soyan Hacer adlı kadının yaptıklarını konu olarak ele almaktadır. Bu makalede Çardaklı Bakıcı tiyatro eserinde yer alan yerli unsurlar tespit edilmeye çalışılmıştır. Çalışmamız eserin içeriği ile ilişkili olarak milli unsurlar (yerli unsurlar) arasında yer alan din, mimari yapı, gelenek ve görenek unsurları üzerine ağırlık kazanmıştır.
Mustafa Necati Sepetçioğlu, one of the important figures of ÖZET Turkish literature, has gained his fame with historical novels and has also received theatre works. The theatre works include: Chardaklı Baker (1969), Bridge (1969), Last Blocks (1969), Great Otmarlar (1970), A Fatih to Every Byzantine (1972), Yunus Emre (1933). The theatrical works of the Chardaklı Guard is composed of three gardens. The theatrical work is the subject of what the woman named Hacer, who deals with fal and magic, uses the unknown "Cafer Baba" turbine of reality in her garden and shows herself as married, robbery people. In this article, the indigenous elements found in the Chardaklı Career Theatre work were attempted to be identified. Our work has gained weight on the elements of religion, architectural structure, tradition and tradition that are among national elements (local elements) in relation to the content of the work.
Abstract Mustafa Necati Sepetçioğlu, one of the most important figures in Turkish literature, has won fame with historical novels as well as writing theatrical works. Theater Works: Çardaklı Bakıcı (1969), Bridge (1969), Final Blocks (1969), Büyük Otmarlar (1970), Each Byzantine A Fatih (1972), Yunus Emre (1933). Çardakli Bakıcı, which is among the published works, consists of three actors. He uses the, Cafer Baba l tomb, which is known for his play, fortune telling and magic, and his tale, which is unknown in his garden. In this article, the indigenous elements in Çardakli Sozer theater work were tried to be determined. Our study has gained emphasis on the elements of religion, architectural structure, tradition and tradition among the national elements (local elements) in relation to the content of the work.
Field : Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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