Özet:

Abstract Three contemporary movie narratives produced in Rio Grande do Sul by Jorge Furtado were analized. The objective is to investigate the films from the point of view of genre in the cultural and relational dimensions of the category, showing the differences between the female characters. The three movies chosen for this debate are: Houve uma Vez Dois Verões (2002), O Homem que Copiava (2003) and Meu Tio Matou um Cara (2004). Although the movies have the narration by the male characters in off, there are the women who, preponderantly break out the plot conflicts. From this observation it was concluded that the dynamics of the male´s view has been flexible, although keeping some of their original characteristics.

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