Özet:

In this work called "Rast Kâr-i Nâtık (Fihrist-i Makâmat) of the work of the Müteferrik Makan Lines' Makam and Güfte Analysis", Ahmed Avni Konuk, Turkish Mussicism Forms and Kâr-i Nâtık, Arûz vezni and Classical Turkish Mussicism Relationship were given information in a way that would be generally accurate, with the method of the work made together with Ahmed Avni Konuk's work called Rast Kâr-i Nâtık's authority and processes. Parallelly, this section includes data such as the model of research, the universe and the sampling, the collection and analysis of data. The results and comments under the headline of the work are the examples of the Rast Kâr-i Nâtık's (Fihrist-i Makâmât) Muteferrik lines, which have been analyzed and analyzed, and in the last part the results are obtained in the context of the analyses and the result of these are some suggestions belonging to us. In the study, the method was used as a “methode”. It is also used by the “Survey” model. All data obtained through these techniques used for the subject of the research have been analyzed and interpreted. In this study, it is known how efficient the Profits are in the teaching and how recently it is considered to be reduced despite the works with this type of large form structure, this and similar Profits work on the Profits, this and similar forms of work will help to get out of the face of this and similar forms of work. Again, it is believed that this work will contribute to the formation of such new works, both in terms of the continuation of the artwork and in terms of the teaching of our musicians.

Anahtar Kelimeler:

Özet:

This study called “The modal and lyrics analysis segâh stable lines of the work named Rast Kâr-ı Nâtık (Fihrist-i Makâmat) belonging to Ahmed Avni Konuk”.Has been arqued out, the points about Ahmed Avni Konuk, The Forms in Turkish Music and Kâr-ı Nâtık, The Prosody and its relation with Classic Turkish Music have been enlightened properly from the general to the particular, the description of the modal and methods which Ahmed Avni Konuk used in the work named “Rast Kâr-ı Nâtık” beside the method’s part of the conducted study takes part. In this division and this parallel; there has been some datas such as the model of the research, the system and its sample, the datas being collected and their analyses. The modal and lyrics messy modal part of Rast Kâr-ı Nâtık, the work of Ahmed Avni Konuk, which forms the sample of the study under the heading of the findings and interpretation have been analized; at the end and fourth part, a certain number of inferences regarding to the analyses conducted and by reason of all these, some proposals belonging to us individually take part.“Descriptive” method has been used in the research. In accordance with the descriptive method, Survey model has been utilized. By these techniques used for the issue of the research, all datas gained have been analized and interpretended. In this research, as known, how productive Kâr-ı Nâtıks are about instructiveness has emerged and given that the demand for the works which have a huge formation like this has decreased so far, every study conducted on these or similar Kâr-ı Nâtıks has been predicted to help bring to light the composed works which are subject to decline in these or similar forms. Still, this study has been considered to contribute this type of new works to occur from the point of both artificial works’ continuity and the instructiveness of our music.