Abstract:

Innovations in technology, the development of science, the spatial and cultural transformation/changes are felt in many areas of life in the thinking structures of individuals and communities, in their daily lives, in their approaches to life, in the objects they use. In this process, the absorption of photography and video, the frequency of internet use, the presence of copying techniques, economic, social and technological changes enable the development of approaches that can be reproduced, copied and diversified in art production through the invisible connections of art and life. Through the current means of communication, the presentation of photos, videos and texts to the global population, the art can direct the attention of the audience in the direction they want as a mass culture application in the documentation mission. The art constitutes the representation of mass creation and multi-like pleasure by providing artists different ways for the narrative language in the continuing and expanding field understanding. As a production practice, it is an artwork as a documentation closed, it presents its message as an art action with the context that the artist creates. In the essence of this text, the attention was attracted to the experience of documentation of art, a material object or image.

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