Özet:

The appearance of the concert tradition in a professional sense dates from the 18th century. Over the centuries, this tradition has experienced various characteristic changes along with the social transformations that occur. Concerto times, performance standards, audience profile and concert spaces are important focus points where changes can be observed. It is also possible to talk about the kinds that serve different purposes, such as youth concerts, Christmas concerts, Help concerts that appear in the tradition. Digital concerts are a new kind that hosts the basic qualities of live music broadcast and that we often encounter today. With this type of concert, the tradition has been changing for centuries, the places that are usual or so far untouched have come to the agenda, and the audience, which is the indispensable subject of a concert, has begun to watch the concerts through the means such as a computer, tablet or phone. The coronavirus pandemic has given a different size to this type of concert. Digital concerts performed voluntarily, along with the impact of pandemic on the daily life, have become almost mandatory, and have experienced its most intense agenda in this process. In this study, digital concerts have been discussed in the context of the space and the audience because they are important points where change can be observed. Therefore, the concept of the concert was first and foremost focused on the historical history of the tradition and the impact of technological innovations on the concerts. Later, the digital concert phenomenon was attempted to be identified and the effects of the pandemic process on this type of concert were listed.

Anahtar Kelimeler: