Özet:

The Caybaşı Hamam, located in the Korkuteli district of Antalya, is one of the few structures that can be reached from the Ottoman era to today. The structure, which carries the general characteristics of Turkish ham architecture in terms of the design characteristics, is dated between the first half of the 16th century and the first half of the 17th century. The hamam, which does not continue to function today, has been repaid in the 1970s. Hamam has a special place in the Turkish hamam architecture, with its decorations hidden under the unqualified slopes made in the subsequent periods of its walls. These decorations also reflect the decoration understanding and pleasure of the period. Decorations with the vazo made with the printing technique are very similar to the motifs used in the Chinese and ceramic art of the time. The ships and fish graphites on the walls reflect the proximity of Korkuteli to the Mediterranean. In this article, we will try to detail the Korkuteli Çaybaşı Hamam, which has a distinctive, privileged place with its decorations, which repeats a plan scheme similar to the numerous hamam built in the same period, but remains under the shell, and to determine the place in the Turkish hamam architecture.

Anahtar Kelimeler:

Özet:

Abstract Located at Korkuteli district of Antalya, Çaybaşı Bath is one of the few buildings which have been able to survive since the Ottoman Period. Carrying the overall characteristics of the Turkish bath architecture in terms of both its material and plan characteristics, the building is dated to the first half of the 16th century-the first half of the 17th century. The bath, which no more functions today, was restored in the 1970s. With its decorations hidden beneath the plaster of poor quality that was made on its walls in the following periods, the bath has a special place in the Turkish bath architecture. These decorations also reflect the decoration understanding and taste of their time. The tulips and carnations coming out of the vase made in the stamping technique in the decorations are considerably analogous to the motifs used in the tile and ceramic art then. The ship and fish graffiti on the walls all but pictorially reflect the proximity of Korkuteli to the Mediterranean Sea. In this paper, it will be intended to introduce Çaybaşı Bath in Korkuteli, which repeats a plan diagram analogous to those of a large number of baths constructed in the same period but which is distinguished from them by, and has a privileged place with, its decorations beneath the plaster, in detail and to determine its place in the Turkish bath architecture.