Özet:

Abstract This article aims to compare the music of Olivier Messiaen and Toru Takemitsu from the perspective of music theory, examining the differences and similarities in the composition techniques and musical expressions of both composers. Messiaen, a composer trained within Western traditions, charted a unique path in Western music by reflecting his religious experiences and the sounds of nature in his works, developing distinctive rhythmic structures and harmonies. Messiaen is also notable for being heavily influenced by Indian and Japanese cultures, which he integrated into his music. Takemitsu, on the other hand, struck a balance between traditional Japanese elements and modernist composition techniques, creating a unique expressive style. In this regard, Messiaen stands out as one of the most intriguing figures in contemporary Western music for Takemitsu. This work compares the musical approaches, composition techniques, and thematic features of both composers, analyzing the interaction and convergence between Western and Eastern music. Additionally, it delves into musical details such as instrument choices, harmonic structures, and rhythmic features in Messiaen and Takemitsu's works. Throughout, the focus is on the cultural interactions between Western and Eastern music within these musical elements. In conclusion, this article brings together the works of Messiaen and Takemitsu to demonstrate that music is a language that transcends cultural boundaries. This comparative examination underscores that contemporary music can serve as a universal form of expression and can build bridges between Western and Eastern music.

Anahtar Kelimeler: