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  Citation Number 1
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Tac Mahal’in Hat Süslemeleri ile Yazıtlarındaki Sure ve Ayetler Üzerine Bir Değerlendirme
2020
Journal:  
Bilimname
Author:  
Abstract:

Dünya mimarlık tarihinde yapılmış en anıtsal türbelerden biri olan Tac Mahal Hindistan’ın Agra şehrinde, Yamuna Nehri’nin güney kıyısında, çar bağ düzenine sahip bahçe içerisinde türbe, cami ve mihman hanesi ile büyük bir yapı kompleksi oluşturmaktadır. Yapının banisi Babürlü Devleti’nin beşinci hükümdarı Şah Cihan, türbeyi eşi Mümtaz Mahal adına 1631-54 yılları arasında inşa ettirmiş, kendisi de 1666 yılında vefat edince eşinin yanına defnedilmiştir. Tac Mahal hem anıtsal mimarisi hem de süslemeleri ile önemli bir yapıdır. Tac Mahal’in üzerinde yer alan süslemeler genel olarak bitkisel motifler, geometrik desenler ve hat süslemelerden oluşmaktadır. Tac Mahal’in hat süslemelerini oluşturan yazıtlar, Tac Mahal’in süsleme programının önemli bir parçasını teşkil etmektedir. Tac Mahal’in hat süslemeleri Darvaza-i-Ravza Kapısı (anıtsal güney giriş bina düzenlemesi), camisi ve türbesinde görülmektedir. Darvaza-i-Ravza Kapısı’nda güney ve kuzey cephesindeki taç kapı kemerinin yazı kuşağındadır. Türbede dış cephede, dört yönde de bulunan eyvan şeklindeki taç kapılarının hem iç hem de dış kemerlerinin yazı kuşağında, iç mekânda kemerlerin yazı kuşağında ve bu kemerlerin üzerinde bütün mekânı çevreleyen üst yazı kuşağında türbenin zemin katında ve alt katında bulunan Mümtaz Mahal ve Şah Cihan’ın mezar sandukalarında görülmektedir. Camisinde ise mihrap kemerini çevreleyen yazı kuşağı ile camide yer alan kemerlerin köşeliklerinde bulunan madalyonlar içerisinde görülmektedir. Tac Mahal’de bulunan hat süslemeler Arapça yazılmış, sülüs, nesih, nestalik ve tuğra yazı stillerinde olup, Kuran’ı Kerim’den sureleri içermektedir. Tac Mahal’in hat süslemeleri, Şirazlı Fakir Emanet Han (Abdul Hak Şirazi) tarafından yazılmıştır (Koch, 2005, s. 145). “Fakir Emanet Han Şirazi” olarak imzası ise türbenin içinde ana mekânda girince içeride sol tarafta bulunan ilk kemerin yazı kuşağında ve bütün mekânı çevreleyen üst yazı kuşağında bulunmaktadır. Araştırma kapsamında Tac Mahal’deki hat süslemelerin bulundukları yerleri ile yazı stilleri ve bu süslemeleri oluşturan Kuran-ı Kerim’de yer alan surelerin neler olduğu ve içerikleri hakkında bilgiler verilmeye çalışılacaktır.

Keywords:

A review of Tac Mahal's line decorations and Sure and verses in his writings
2020
Journal:  
Bilimname
Author:  
Abstract:

Tac Mahal, one of the turbines built in the history of world architecture; in the city of Agra in India, on the southern coast of the Yamuna River, within a garden with a tsar bond arrangement; turbines, mosques and mosques form a large building complex. The building was built by the fifth ruler of the Baburlu State, Shah Cihan, who built the turbine on behalf of his wife Mümtaz Mahal between 1631-54 years, and when he died in 1666 he was buried with his wife. Tac Mahal is an important structure with both monumental architecture and decorations. The decorations on the Tac Mahal are generally made up of plant motifs, geometric patterns and line decorations. The texts that make up the line decorations of Tac Mahal make up an important part of the decoration program of Tac Mahal. Tac Mahal’s line decorations are seen in the Darvaza-i-Ravza Gate (Antsal southern entrance building arrangement), the mosque and the turbine. On the Darvaza-i-Ravza Gate; the crown on the south and north front is on the sign of the door belt. On the turbine; on the outer front, on the four directions, on the scripture of the inner and external belt of the crown-shaped doors, on the scripture of the belt in the interior and on the top scripture that surrounds the whole space on these belt, on the ground floor of the turbine and on the bottom floor, on the tomb boxes of Mümtaz Mahal and Shah Cihan. In the cams, it is seen in the medallions in the corners of the bands located in the mosque with the writings surrounding the bands of the mosque. The line decorations found in Tac Mahal are in Arabic written, sulus, nesih, nestalik and turra writing styles, and the Qur’an contains sures from Kerim. Tac Mahal's line decorations are written by Shirazlı Fakir Emanet Han (Abdul Hak Şirazi) (Koch, 2005, p. The signature as "Fakir Emanet Han Şirazi" is in the main place in the turbine; when entering the inside on the left side of the first belt in the writing edge and in the upper writing edge that surrounds the whole place. In the framework of the research will be attempted to provide information about the places where the line decorations are located in Tac Mahal and the writing styles and the Qur’an-i-Kerim which forms these decorations.

Keywords:

An Evaluation On The Taj Mahal’s Calligraphic Ornaments and The Surahs and Verses In Its Inscriptions
2020
Journal:  
Bilimname
Author:  
Abstract:

The Taj Mahal, one of the most monumental mausoleums in the history of the world’s architecture, constitutes a big building complex with its tomb, mosque and guest house in a char bagh garden on the south bank of the Yamuna River in the Agra city of India. Shah Jahan, the founder of the construction and the fifth ruler of Mughal State, built the mausoleum for his wife Mumtaz Mahal between the years of 1631 – 1654, and when he died in 1666, he was also buried next to his wife. The Taj Mahal is an important construction with both its monumental architecture and its decorations. The decorations of the Taj Mahal include floral motifs, geometrical ornaments and calligraphic ornaments. The inscriptions, which constitute the calligraphic ornaments of the Taj Mahal, are an important part of the decoration pattern of the Taj Mahal. The calligraphic ornaments of the Taj Mahal are on the Darwaza-i Rauza (monumental south gate design), the mosque and the tomb. On the Darwaza-i Rauza, they are on the inscription line of the crown gate arch on the south and north. In the mausoleum, on the outer walls, the inscriptions are on the inscription lines of both interior and exterior arches of the iwan-formed crown gates at four directions. On the interior walls, the inscriptions are on the inscription lines of the arches, upper inscription lines surrounding the whole place over these arches, on the ground floor of the tomb, and on the actual tombs of Mumtaz Mahal and Shah Jahan downstairs. The inscriptions are on the inscription line surrounding the mihrab arch and in the medallions on the corners of the arches in the mosque. The calligraphic ornaments in the Taj Mahal are written in Arabic; they are in thuluth, naskh, nasta’liq and tughra style, and includes passages from the Quran. The calligraphic ornaments of the Taj Mahal were made by Amanat Khan Shirazi (Abd al-Haqq Shirazi) (Koch, 2005, p. 145). His signature as “Humble Amanat Khan Shirazi” is written in the central hall in the tomb, on the inscription line of the first arch on the left inside and on the upper inscription line surrounding the whole place. The calligraphy decorations of the Taj Mahal were formed by using the technique of inlaid with onyx stone with black color on white marble. There are twenty-two Surahs from the Quran in the Taj Mahal. These Suras are: Sura Fajr, Sura Dhuha, Sura Sharh, Sura Teen, Sura Yaseen, Sura Takweer, Sura Infitar, Sura Inshiqaaq, Sura Bayyinahh, Sura Mulk, Sura Fath, Sura Insaan, Sura Zumar, Sura Fussilat, Sura Mu'min(Ghafır), Sura Mutaffifeen, Sura Baqarah, Sura Hashr, Sura Al Imran, Sura Mu'minun, Sura Shams and Surah Ikhlaas. There are twenty-five inscriptions in the Taj Mahal, and some of these inscriptions are Zumar, Fussilat and Hashr. They are repeated twice. The other Suras are written only once and the Suras are fully engraved. Sura Yaseen, which is located on four fronts, occupies the widest place. Sura Mulk, which is located on the upper belt of the arch in the interior, contains the second longest verses. The Suras in the Taj Mahal are mostly about afterlife, death, heaven, Domesday, and the good news to the believers. There is no encomia in Taj Mahal that praises the deceased person as in other examples. The Masjid Mosque in Agra, which is built by Shah Jahan's daughter in the name of his father during the same period, has many writings praising Shah Jahan and his reign. (Begley, 1978-79). This shows that constituent wants to reflect his own special choice in the tomb and that he is surrendered to the absolute owner of being away from praise by keeping mortality in the foreground. In addition, the preferred Sura and verses remind that the mortality of the life of this world and timeless existence. Nevertheless, it is seen that these inscriptions mostly targeted visitors to the tomb due to the selection of the verses that promise that those who obey the commands and prohibitions of Allah-u Teala will be liberated and heralded with heaven. 

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