Özet:

Orhan Kemal, in a very general sense, is a "socially realistic" novelist who takes over the naturalist and realist novel understanding that extends to Hüseyin Rahmi Gürpınar, at least in terms of presenting the case with dialogues and using accents, through the channel of novelists such as Sadri Ertem and Sabahattin Ali. The content expansion that shows itself in the form of "turning to Anatolia" in the Turkish novel, the life of young, naughty and poor young people in Orhan Kemal workers struggling to change classes or living, small tradesmen struggles the lives of the factory owners, who reflect the newly developing industrialization with an attitude between agility and boss it appears as the changes that people try to shift from the peasantry to the urban workman ship. When Orhan Kemal approaches this material, he depends on the perspective of "dialectical materialism". In other words, he sees social conflicts with a "class view". However, the processing of this material is different from the "socialist realism" approach applied by some writers (egvillage novelists) who are their own contemporaries. It can be said that he is "socialist realistic" while looking at social life and choosing his material it is "observer and critically realistic" while reflecting this material. We can say that this attitude is called "Bright realism" by Orhan Kemal.

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