Abstract:

Archaeological symbolism has been one of the methods frequently used in the study of literary works in recent times. Research on the origins of the past is a national and cultural accumulation that illuminates the future and is a product of collective awareness. In this study, a very important place in terms of Turkish language and literature was studied in terms of archaeological symbolism. This story carries all the traces of the primary images, that is, the archetypes, with its distinctive character and mythical characteristics. In the story, the basic archives were used almost all. The fact that the same person is in more than one archive makes the story different from the other stories. In the study, all the basic archives were studied in titles and the organic relationship between these archives was resolved. First of all, after focusing on the hero archetype that houses the stages of "deparation-review-return", the archetypes were explained, respectively, mother, animus, anima, persona, shadow, old wise man and me. In the essence of the hero, the desire object that is missing, i.e. the desire to integrate develops around and the internal and external obstacles to this integration overcome the "shadow archetype" of the Blood Toural has an important quality in terms of completing the process of individualization and achieving its second birth.

Keywords: