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Konu sınırı olmaksızın bir ezgiyle söylenen şiirlerin tamamına türkü denmektedir. Türkü halk edebiyatı şiirlerinden şekil ve içerikten ziyade ezgi yönüyle ayrılmaktadır. Halk kültürünün yaşayan önemli ürünlerinden olan türküler, halk arasında hem en yaygın şekilde icra edilen hem de en hızlı dönüşümü yaşayan sözlü kültür ürünlerinden biridir. Türküler icra edildikleri bölgenin kültürel pek çok özelliğini bünyelerinde barındırır. Türkülerde yerel ifadelerin kullanımı ile coğrafi motiflerin yoğunluğu yörede yaşayan halkın o coğrafyayla kurdukları bağın derecesi hakkında fikir edinmemizi sağlamaktadır. Çalışmamızda farklı zamanlarda derlenen ve Songül Karahasan’ın “Muş Türküleri ve Oyun Havaları” adıyla bir araya getirip notaya döktüğü türkülerin yer aldığı eser esas alınmıştır. Türkülerde bulunan yer adları, kişi adları, hayvan ve bitki adlarıyla Ermenilerle ilgili motifler ve türkülerde yer alan Kürtçe ifadeler tespit edilerek çeşitli değerlendirilmelerde bulunulmuştur. İncelemede Muş türkülerinde bulunan kültürel değerler dikkate alındığında kolaylıkla Muş’un iklimi, üretim tüketim ilişkileri ile demografik yapısı hakkında fikir sahibi olunmaktadır. Muş türkülerinde tespit edilen diğer bir unsur da kültürel hafıza bakımından döneme göre yaşanan çeşitli değişimlerdir.
All of the poems are written without limitation. The Turkish public literature is separated from the poems in the form and content rather than in the expression direction. Turquoise, which is one of the most important products of the popular culture, is one of the most widely implemented and fastest transformed oral culture products among the people. The Turkish people have many cultural features of the region where they are executed. The use of local expressions in Turks and the intensity of geographical motives enable us to get an idea of the degree of connection that the people living in the area with that geography they established. Our work is based on the work of the turks that Songül Karahasan has collected in different times and brought together with the name "Mush Turks and Game Air" and noted. The names of places, people, animals and plant names and the motives related to the Armenians and the Kurdish expressions in the Turkish are identified in various assessments. Considering the cultural values found in the Muş turks in the review, it is easy to get an idea about the climate of Muş, the production consumption relationships and the demographic structure. Another element that is identified in the Muş turks is the various changes that occur from the point of view of cultural memory.
All poems sung with a melody are called folk songs regardless of their topic. Folk songs differ from folk literature poems in terms of melody rather than form and content. Folk songs, one of the most important living products of folk culture, are one of both the most widely performed and most rapidly transformed oral culture products. Folk songs contain many cultural features of the region where they are performed. The use of local expressions and the density of geographical motifs in folk songs provide us with an idea about the degree of the connection the local people have established with that geography. Our study is based on the work including folk songs which were compiled at different times, were brought together and notated under the name of " Folk Songs and Folk Dance Music Types of Muş" by Songül Karahasan. Through some place names, names of people, animal and plant names in folk songs, motifs about Armenians were found out and also some Kurdish expressions were determined in those folk songs and hence various evaluations were made. In the research, considering the cultural values found in Muş folk songs, one can easily have an idea about the climate, production-consumption relations and demographic structure of Muş. Another factor detected in Muş folk songs is the various changes in cultural memory in parallel with the period.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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