Özet:

Nowadays, many rythms, melodies and harmonies spread out by private, public, phisical and virtual spaces.  However, musical industry can´t work without consumers, they are the other essential part of this creational music world, and young people are one of its most devote public. The present study is about that, the musical consumption of young people in Santiago de Cuba city. Musical consumption is the main cause to they share music or in contrast they stand unnployed among themselves, that`s why it is the main concept in the study. Frequently sociologists of music have concerned abou this social and cultural process, however, it have not been present many times in social theories or - why not- even in art theories. Precisely, the main constribution aim to highligh the consumption concept into the musical world. The proccess have been explored and interpreted through quantitative and qualitative methodologies, but, mostly in the second one´s prespective. Thaks to that, the following question can be ansewerd: what is the place of musical consumption among others, where is music in young people´s daily life, why can it speak about an involuntary musical consumption. Sociology of music and consumption studies are two essential bases of this analysis. 

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