Özet:

In the light of the inevitable twinning of linguistic theory and literary critical interpretation and appreciation, Ray Bradbury's narrative techniques constitute his thematic and aesthetic discourse. Bradbury’s stylistic narrative discourse evokes a set of narrative tools through which characters communicate ideas, thoughts, and feelings, creating aesthetic effects that appeal to readers. These blended artistic elements are interpreted in the light of the theoretical fictional context of narrator-character, character-character, and narrator-reader interactions. Exploring a web of narrative-characterization centers in Bradbury’s story Cistern, the paper sheds light on the centers of the point of view, dialogic narrative technique, and thematic concerns that include internal and external conflicts. Meantime, the paper draws on Gérard Genette’s analytical method of study of narrative discourse, among others. Moreover, Bradbury's the mato-narrative techniques offer a modern interpretative community for understanding his characterization centers and serve as a receptionist case study for scholars and critics of modern literary criticism.

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