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Bu çalışmada Türkiye’nin önde gelen çağdaş sanatçılarından Canan Tolon ve Sarkis Zabunyan çerçevesinde bellek ve sanat ilişkisi ele alınmıştır. Her iki sanatçı, mimari eğitimlerinin de katkısıyla mekân üzerinden bellek ve sanat ilişkisini net bir şekilde görebileceğimiz çalışmalar üretmişlerdir. Kendi geçmişlerinden yola çıkarak bellek, zaman, anı, mekân, iz gibi konular çerçevesinde çalışmalarını deneysel bir şekilde sürdürmüşlerdir. Makalede Tolon’un ve Sarkis’in çalışmaları üzerinde durulmuştur. Literatür araştırması ve inceleme yöntemi kullanılarak betimsel bir değerlendirme yapılmıştır. Bu bağlamda çalışmanın amacı, Canan Tolon ve Sarkis Zabunyan üzerinden bellek ve sanat ilişkisini incelemektir. Bu bilgiler ışığında bellekte yer alan deneyimlerin sanat eserine yansıdığı, belleğin yaratım sürecine etkisinin göz ardı edilemeyecek derecede güçlü olduğu neticesine varılmıştır.
In this study, the relationship between memory and art is discussed in Turkey's leading contemporary art in the framework of Canan Tolon and Sarkis Zabunyan. Both artists have produced works in which we can clearly see the relationship between memory and art through the contribution of their architectural education. Based on their backgrounds, they have been working in an experimental style in the context of memory, time, moment, location and trace. The article focuses on the works of Tolon and of Sarkis. A descriptive assessment was made by using literature research and the examination method. In this context, the aim of this study is to investigate the relationship between memory and art in the works of Canan Tolon and Sarkis Zabunyan. In light of this information, it is concluded that experiences in memory are indeed reflected in their works of art and that the effect of memory on the creation process cannot be ignored.
In this study, the relationship between memory and art is discussed in Turkey's leading contemporary art in the framework of Canan Tolon and Sarkis Zabunyan. Both artists have produced works in which we can clearly see the relationship between memory and art through the contribution of their architectural education. Based on their backgrounds, they have been working in an experimental style in the context of memory, time, moment, location and trace. The article focuses on the works of Tolon and of Sarkis. A descriptive assessment was made by using literature research and the examination method. In this context, the aim of this study is to investigate the relationship between memory and art in the works of Canan Tolon and Sarkis Zabunyan. In light of this information, it is concluded that experiences in memory are indeed reflected in their works of art and that the effect of memory on the creation process cannot be ignored.
Field : Güzel Sanatlar; Mimarlık, Planlama ve Tasarım
Journal Type : Ulusal
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