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Sanat tarihinde, yirminci yüzyılın ilk yarısından önce plastik sanatlarda sıkça karşımıza çıkan ses, müzik ve gürültü imgeleri plastisitesi, sanatçıların geleneksel biçimlendirme yöntemlerine getirdiği yeni çeşitliliklerle dönüşüme uğramıştır. Müzikolojik olarak bir ritim, melodi ve armoniye yardımcı öğe durumunda olan sesin müzikal diziminin yapıbozumu, fütüristlerin şehir gürültüsü ve endüstriyel sesleri keşfi ile ürettikleri yapıtlarda kendini göstermektedir. İkinci dünya savaşı sonrasında somut, elektronik, sentetik müzik dallarının ortaya çıkması, dönemin avangard kompozitör ve müzisyenlerinin sese yeni bakışı, sesi plastik sanatlarda da yeni bir ifade ve üretim alanına dönüşmüştür, sınırlarını genişletmiş, disiplinler arası bir dolaşıma sokmuştur. Bu araştırmada 20.yüzyılın sonlarında plastik sanatlar terminolojisindeki yerini alan “Ses Sanatı” nın, sanat tarihinin farklı dönemleri içinden seçilmiş kilit örnekleriyle Batı ve Türkiye’deki sanat ortamında varoluşu ve dönüşümü yeniden değerlendirilecektir.
In the art history, the plasticity of sound, music and noise images that are frequently seen in plastic arts before the first half of the twentieth century has become transformed by the new diversity that artists bring to the traditional formatting methods. The composition of the musical series of the sound, which is in a musical rhythm, melody and harmony assistant element, manifests itself in the works produced by futurists with the discovery of the city noise and industrial sounds. After World War II, the appearance of concrete, electronic, synthetic music branches, the new look to the voice of the avant-garde composers and musicians of the time, the voice has become a new expression and production field in plastic arts, extended its boundaries, put into a cross-disciplinary circle. 20 in this study. The "Voice Art", which took its place in the terminology of plastic arts at the end of the century, will be re-evaluated by the existence and transformation of the art environment in the West and Turkey with key examples selected from different periods of art history.
The plasticity of sound, music and noise images, which was frequently encountered in the plastic arts before the first half of the twentieth century in the history of art, has been transformed by the new variations brought by the artists to the traditional forming methods. Musicologically, the deconstruction of the musical syntax of sound, which is an auxiliary element for rhythm, melody and harmony, shows itself in the works produced by futurists with the discovery of urban noise and industrial sounds. With the emergence of concrete, electronic and synthetic music after the Second World War, that period’s avant-garde composers and musicians’ new view of sound turned the sound into a new field of expression and production in the plastic arts, expanded its boundaries and put it into interdisciplinary circulation. In this research, the existence and transformation of "Sound Art", which took its place in plastic arts terminology at the end of the 20th century, in the art environment in the West and Turkey will be re-evaluated with key examples selected from different periods of the history of art.
Field : Ziraat, Orman ve Su Ürünleri; Spor Bilimleri
Journal Type : Uluslararası
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