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Cami ve tekkelerde yapılan ibadet ve zikir esnasında çeşitli vesilelerle icrâ edilen, içerisinde dinî motiflerin kullanıldığı mûsikî, dinî mûsikîdir. Her milletin mûsikîsi, o milletin millî ruhundan, ortak vicdanından, sanat anlayışından ve güzellik algısından doğmaktadır. Dolayısıyla dinî mûsikî her millette kendine özgü bir millîlik kazanmıştır. Ta’rîf formu da diğer bazı dinî mûsikî formları gibi bu millîliğin bir örneğidir ve Türklere ait millî bir dinî mûsikî formudur. XIV. yüzyıldan itibaren cami ve tekkelerde ta’rîf irticâlen okunmuş, özel bir beste ile okunduğu ile alakalı kesin bir bilgi bulunamamıştır. Bu formun ne zaman başladığını bilmekle beraber ne zaman unutulduğu kesin değildir. Tüm bunlardan hareketle yeniden hayata geçirmek arzusu ile ta’rîf formu tarafımızdan -teberrüken- bestelenmiştir. Bu besteyi yapmaktaki amacımız, eskiden okunan ancak bu zamana kadarki süreçte unutulmuş Türk Din Mûsikîsi formlarından biri olan Ta’rîf’i araştırmacılara ve dinî mûsikî icrâcılarına sunarak özellikle kandil gecelerinde Din görevlilerimizin mevlîd programlarından önce icrâ etmelerini sağlamak ve bu kültürün devamlılığına hizmet etmektir.
The worship of the worship of the worship of the worship of the worship of the worship of the worship of the worship of the worship of the worship of the worship of the worship. The musicism of every nation is born from the national spirit of that nation, from the common conscience, from the art understanding and from the perception of beauty. He has made every one of his worshippers, and he has made every one of his worshippers. The form of Ta'rif is also an example of this nation, like some other religious musical forms, and it is a national religious musical form of the Turks. The XIV. From the century to the century, the mosque and the texts have not been read and read with a special composition. It is uncertain when this form begins to be forgotten. All of this has been made by the desire to re-create with the form of the ta'rife from our side - the re-create. Our purpose in making this composition is to ensure that our religious officials, in particular in the candle nights, are presented to the researchers and religious musicians, which is one of the formerly read but forgotten forms of the Turkish religion, and to serve the continuity of this culture.
Religious music is a form performed for various occasions during worship and dhikr in mosques and dervish lodges, in which many religious motifs own. The religious form of music in each nation shows that nation's own spirit, common values, and understanding of art and sense of beauty. Religious music, therefore, has also acquired a unique nationality. Ta’rif form, like some other forms of religious music, is an example of Turkish nationality. Since the fourteenth century, although it has been known that Ta’rîf was recited in mosques and dervish lodges with improvisation, there is no clear information that it was performed with a special composition. On the other hand, we know when Ta’rîf was started to perform, it is not certain what exactly time it was broken the tradition of performing it. With the desire to revive it based on all these, the work describing the Prophet Muhammad’s characteristics and physical appearances has been formed by us. Our aim to make this composition is to present Ta’rîf, one of the forms of Turkish religious music, which was used to perform in the past but has been forgotten in the process in our religious culture. It is to ensure that our religious officials like imams and muezzins perform before the Mawlid ceremonies, especially in oil lamp nights and to serve the continuity of this culture. As a result of this work, we would like to remember some forgotton Turkish religious music tradition.
Field : Eğitim Bilimleri; Güzel Sanatlar; İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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