Abstract:

Abstract The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas.

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