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Abstract This article traces the philosophical thought that shaped Jesús Martín Barbero’s analysis about communication and culture. In his contributions, it is possible to find vestiges of a philosophy that addresses modernity, from the popular culture and the mediations produced by the massive culture. This text points out five key displacements of the academic thought of his time: the dialogical, the decolonizing, the disciplinary, the methodological and the ontological. With his degree in Philosophy that started in Ávila and continued at the University of Louvain he was allowed to have a new vision at the questions that were made in Latin America.
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