Özet:

From the oldest periods to the present, many cultures have taken an important place in the everyday life of the people, although they obtain their own content in each period and in the cultural environment, they do not lose their main responsibility structurally. The study briefly informs about the place you think in the popular culture from the past to the present; the functional characteristics you think are explained through the example of Contemporary Tatar and Başkurt stories, illustration, comment and comparison methods.  By preserving traditional culture, many common features appear in the creativity of neighboring artists who address the issue of being able to stand up against today’s corruption and put an important meaning on the box image in this process.  In literary works, the word that carries national cultural elements is presented as the code of a particular culture. Instead of the form the author thinks, his protective characteristic concerns the content that reflects the traces of the national culture. On the one hand, it is a micro world that collects national and religious traditions and preserves them; on the other hand, it is a memory box that contains the best hopes and valuable memories of the main hero’s youth. It is also regarded as concrete, a living object for the elderly, witnessing the past and the abstract thoughts, the spiritual values. The old, broken boxes are the most valuable thing that supports every older person to continue in the new times of the past. Except for the story of "Master and Cracks", the writers see them as those who preserve the culture and national values and translate them to the future generation, depicting them at the symbolic level as the Mother of the Nation. Such works that reflect the popular culture also contain rich resources for studies in terms of cultural language.

Özet:

Chests, which have had a significant place in the daily lives of people in several cultures from the past to the present, do not lose their main structural function although they have contained unique contents in all periods and cultural settings. This study provides brief information about the place of chests in fold culture from the past to the present and explains the functional characteristics of chests in the case of Tatar and Bashkir stories. Several common features may be observed in the creativity of Tatar and Bashkir artists who deal with the topic of standing against corruption today by preserving the culture of the past and attribute a significant meaning to the image of chests in this process. In literary works, a chest is presented as a word that carries elements of the national culture, a code of a certain culture. The author is concerned with the protective function of a chest and its contents that reflect the traces the national culture, rather than its form. A chest is a microworld that collects national and religious traditions in it and protects them, a box of memory that harbors the most beautiful hopes and valuable memories of the main character; a chest that is assumed to be tangible is, for the elderly, is a living object that is a witness of the past and their abstract thoughts, spiritual values. Antiquated, worn out chests are the most valuable thing that supports the continuation of the past ear in the conditions of the new era for every elderly person. Except for the tale of “master and apprentice”, authors see grandmothers as those who preserve culture and national values and transfer these to future generations and describe them on the level of a symbol as the Mothers of the Nation. Such works that reflect folk culture are also a rich source for studies in the field of ethnolinguistics.

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