Abstract:

Cinuçen Godkorur (1938-2000) is an important nutritionist who tried to create the 21st-century Turkish music understanding with his original works, feeding the ancient Turkish music culture from the classical style. Except for the usual moisture structures, it has created new forms and narrative characteristics with different compositions with unusual moistures. In the beginning of these are the characteristics of the Qur’an which is frequently used in the compositions of God, and which is also called by us a musical image and a reference to the exhortation. In this study, we discussed the musical illustrations that God Korur used in his works. In the words of the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him) is the Holy Prophet (peace and blessings of Allah be upon him). This is why work is original and important. The purpose of the study is to attract attention to the subject of the musical image in the Turkish music through the compositions of Godkorur and to create awareness. In the words of the Prophet (peace and blessings of Allah be upon him), the Prophet (peace and blessings of Allah be upon him) said: “Whoever does not know the truth and the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth, and whoever does not know the truth.” In the words of the Prophet (peace and blessings of Allah be upon him) and the words of the Prophet (peace and blessings of Allah be upon him) and the words of the Prophet (peace and blessings of Allah be upon him) and the words of the Prophet (peace and blessings of Allah be upon him). The universe of the study: Cinuçen Godkorur's composed soz works, and its example is: Village Sabah, Oil Küheylan, Sun Bridge, and Love of Susamur. Qualitative research is used, visual scanning model and conversation techniques. In these four works examined, it was also found that God Coran observed nature with high sensitivity and eyes, influenced by nature and Turkish cultural life, reflecting the different moments of life in their compositions. The events observed or depicted by Cinuçen Godkorur, demonstrating the power of the san'at, moving from the example of his narrative with his musical naughty, in the Turkish musical compositions and in the Icrans the musical images were attracted and presented in suggestions.

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Abstract:

Cinuçen Tanrıkorur (1938-2000) was an important composer who tried to create the understanding of Turkish music of the 21st century with his original works, nourished by the classical style of the ancient Turkish music owner. He created different compositions with extraordinary melodies apart from the usual melodies; It has created new form and expression features with new forms. The most important of these are the narrative features that Tanrıkorur frequently uses in his compositions, which are called "musical description" and "melody citations" by us. In this study, the musical descriptions that Tanrıkorur used in his instrumental works were discussed. Cinuçen Tanrıkorur's description of music, which he uses in his instrumental compositions as well as his vocal compositions, is an overlooked and not studied subject in Turkish music. Therefore, the study is original and important. The aim of the study is to draw attention to the subject of musical description in Turkish music and to raise awareness through Tanrıkorur's compositions. In the study, answers were sought about how the composer expressed his musical description with melodies. In addition: The stories of the works that were described as music and selected as samples, told by the composer himself, were included. The universe of the study is composed of the instrumental pieces composed by Cinuçen Tanrıkorur, and the sample consists of four instrumental pieces: Köyde Sabah, Yağız Küheylan, Güneşe Köprü and Susamurunun Aşkı. It is a qualitative research, descriptive survey model and interview techniques are used. In these four works examined, it was determined that Tanrıkorur observed nature with his highly sensitive artist spirit and eyes, and tried to reflect different moments of life into his compositions by being influenced by nature and Turkish cultural life. Based on the example of Cinuçen Tanrıkorur's expression of the events he observed or imagined, by revealing his artistic power with his musical melodies, attention was drawn to the musical depictions in Turkish music compositions and performances.