Özet:

A man who is conscious, who knows his own identity and who always goes forward with determination, begins to universalize by breaking his own skin. The universalized man, by fighting for his people, makes his people rise. Each people has the architects that put the foundation of civilization, the talented lights. One of them is November Tınıstanov, a poet, writer, drama writer, the philologist who formed the first Kyrgyz alphabet, the scientist who wrote the first Kyrgyz grammar books, the leader of Kyrgyz people's enlightenment, the head of Kyrgyz Institute of Culture, and the first professor of Kyrgyz people who managed in many institutions, including the head of Kyrgyz Institute of Culture. Tınıstanov revealed that he was a real writer, taking the truths of life as a painful part of his own body in the ten-nine-year period of his short life. In art, the writer has also addressed the theatre, which thinks the exact truth of the materialist understanding, that art is the weapon of the people, and that the contents of art can be transmitted through the stage. The desire to raise the literary level of the Kyrgyz National Theatre and the competition proclaimed by the state in this direction has led to K. Tınıstanov's writing of the drama. But this drama has prepared the writer's tragic end by buriing under the ruins of the ideological struggle before it was written and screened, the first historic drama of November Tınıstanov, one of the well-known characters of Soviet Kyrgyz literature, called the Academic Cats, is discussed. In this study, one of the first examples of the theatrical works in the Kyrgyz Soviet literature, the inner world of the heroes in the historic market of November Tınıstanov’s Academic Knights will be examined and analyzed under the titles “Occupation and Russification”, “The Struggle for Freedom”, “The Implemented Pressure in the Framework of Class Struggle”. The work is extremely important because it presents a historic piece and is one of the most well-known products of written Kyrgyz literature.

Anahtar Kelimeler:

Özet:

A person who has awareness, knows his own identity and always walks forward with determination begins to become universal by breaking his own shell. On the other hand, the universalizing human ensures the rise of his people by fighting for his people. Every people has architects and talented intellectuals who laid the foundation of civilization. One of them, Kasım Tınıstanov, was a poet, writer, drama writer, philologist who created the first Kyrgyz alphabet, scientist who wrote the first Kyrgyz grammar books, the leader of the Kyrgyz public enlightenment, the director of many institutions, especially the Kyrgyz Cultural Institute. and he is the first professor of the Kyrgyz. Tınıstanov has served the Kyrgyz for a period of nineteen years of his short life of 37 years and has shown that he is a real writer by accepting the facts of life as a painful part of his body. The author, who intends to convey the absolute correctness of the materialist understanding in art, that art is the weapon of the people, and the content of art through the stage, also turned to the theater. The desire to increase the literary level of the Kyrgyz national theater and the competition announced by the state in this direction caused K. Tınıstanov to write a drama. However, this drama, before it was written and staged, was buried under the ruins of the ideological struggle and prepared the author's tragic end. In the study, the first historical drama titled Akademiyalık Keceler by Kasım Tınıstanov, one of the famous figures of Soviet Kyrgyz literature, is discussed. In this study, the inner world of the heroes in the historical play of Kasım Tınıstanov, one of the first examples of theatrical works in Kyrgyz Soviet literature, is examined psychologically under the headings of "Occupation and Russification", "Struggle for Freedom", "Pressure Applied within the Framework of Class Struggle" examination and analysis will be made. The work is extremely important as it presents a historical cross-section and is one of the most well-known works of written Kyrgyz literature.