Özet:

1. The century is one of the most difficult periods in which the Ottoman Empire has suffered land losses with domestic and external political breakthroughs. Military, local, national rebellions and religious and religious struggles are much greater in terms of numbers and destructive incentives than in the previous centuries. But in this period, when the faces were completely turned to the west, religious differences were approached with a more unified and universal perspective, new political steps were taken and progress in democracy was recorded. In addition to many political issues, the movement of simplification of the language seen in the previous centuries has led to fierce discussions during this period. During this mixed period, many of the poets seeked spiritual support by refugeing to the texts, and a lot of taricacy appeared. At the end of this The late period In the classical Turkish literature, Tekke literature is also closer to the classical Turkish literature. Nihani was one of the mutasavvif poets who lived between the years 1805-1890 and witnessed the most punishable period of the Empire. of Hz. It stands upon the Prophet. He is the ninth son of the ninth generation of the Holy Fathers, and he is one of the shelters of the Holy Fathers and of the Holy Fathers, who has been post-ninth in his magazine. It is Darendel and also the historical knowledge of the grand Izzet Hasan Efendi's grandson and his good education through his rahl-i thesis and his medrese teaching has made him close to the classical Turkish literature culture. Thus, both the tasavvuf culture and the medrese doctrine are reflected in his poems and his art identity is manifested in this framework. The XIX. With the first of the century in the military sphere, the traits of art and literature and the searches in the divan poetry and the simplification movements in the language have a close impact on the Nihani. The Final Divine In the 19th century, it is important that these two disciplines, arising from the close proximity of the classical Turkish literature to the Tekke literature, show their client-like aspects. In this work, Yunus was also in the order of the XIX. The century's searches in classical Turkish literature and the reflection of the renewal movements in the language are seen by the Nihani and the only nüsha. The Divan The promotion is intended.

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Özet:

The nineteenth century was one of the most difficult periods of the Ottoman Empire, in which both internal and external political crises and territorial losses were experienced. Military, local and national rebellions as well as religious and sectarian quarrels were much more than those in the previous century, both in number and in destructiveness. However, in this period when faces were completely turned to the west, sectarian differences were approached with a more unifying and universal perspective, new political steps were taken in this regard and progress was made in democracy. On top of multiple political issues, the language simplification movements, which were seen in the previous centuries, caused heated debates. In this tumultuous period, most of the poets sought moral support by taking shelter in dervish lodges, and multi-sectism emerged. As a result of this, it is observed that Classical Turkish literature in the late period approached Sufi literature and Sufi literature approached Classical Turkish literature. Nihânî lived between 1805-1890 and is one of the Sufi poets who witnessed the most problematic period of the empire. His lineage goes back to the Prophet. He was a ninth-generation grandson of Sheikh Hamid-i Veli (Somuncu Baba) and one of the Halvetiye and Bayramiye sheikhs who participated in his dervish lodge. He was from Darende. Both having received a good education from Büyük İzzet Hasan Efendi, to whom he was a grandson, and having taught in a madrasa enabled him to be close to the culture of Classical Turkish literature. Consequently, as a mudarris who has taught both Sufi culture and madrasah subjects, his scientific background is reflected in his poems and his artistic identity is manifested within this scope. As the reforms that had first started in the military field in the 19th century appeared in art and literature, the searches in divan poetry and the simplification movements in the language affected Nîhâni closely. Nihânî’s Dîvân has great importance in terms of showing the common aspects of these two disciplines, which resulted from the convergence of Classical Turkish literature and Sufi literature in the 19th century. In this study, it is aimed to introduce Nihânî, who was influenced by Yunus Emre and also who reflected the searches in divan poetry and the simplification movements in the language, and his Dîvân, which is the only copy.

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