Abstract:

The art has emerged depending on the conditions of nature since the human being existed. He gave his first examples in order to meet, cover and protect people’s needs. The crafts, which later evolved and showed changes according to the environmental conditions, reflected the feelings of the society in which they arise, their artistic pleasures and their cultural characteristics, and gained the "traditional" valve. Traditional Turkish crafts have created a rich mosaic by combining their own values with the cultural heritage of various civilizations from the thousands of years of Anadolu’s history. When the cultural history of the Turkish nation, which has a very rich potential for craftsmanship, is studied, it has been seen that they use their creative power centuries ago by evaluating the raw materials obtained from mines, stones, plants and animals to make various necessary materials. It has been influenced by the cultures they encounter in the migration path from Central Asia to Anatolia and has created rich crafts that extends to the present day. The Turks must have a great and rich cultural accumulation due to the civilizations they established in Central Asia, or in Anatolia, and their transfer of this accumulation everywhere they go is an important factor in the recognition of Anatolia's crafts and art treasures as a center of crafts and culture. Again, the geographical position of Anadolu as a bridge that connects Asia to Europe and its location on the migration and trade routes are of particular importance in this context. Traditional Turkish crafts that continue to exist today in Anatolia; silk, silk, silk, zili, sumak, tissue textualization, writing, chinic, ceramic-touch manufacturing, line, thesis, miniature, mining, processing, voice manufacturing, skin manufacturing, music tools manufacturing, stone manufacturing, bakery manufacturing, sepetic, semercity, mining, goat manufacturing, silk manufacturing, stone manufacturing, wood and wood manufacturing, car manufacturing, etc. The craftsmen demonstrate themselves in various forms according to each country’s abilities and desires. In Switzerland, the clock is used in Switzerland. In our country, it has since been a workplace of texture and tapping as a home industry. Today, Turkey is in the last place in the world lists of roof exports. In the world, the production and export of carpet is usually made by Iran, China, Pakistan, India, Turkey, Nepal and Tibet countries. The ability to get from our crafts to the level that it deserves is a great organization business. The matter of raw materials is the most important problem. For standard production, the business needs large workshops and cooperatives that will be managed by persons and organizations. We may be able to market our products abroad, with their quality, patterns, sizes unchanged, having the ability to supply and deliver in time. The manufacturer should be easily accessible, with researchers and producers to provide positive results, and with the establishment of application centers that can also provide services in the fields of communication, organization, promotion, archiving, with a very large specialist staff across Turkey can be achieved the result. In order to the old quality and importance of the welding, the carpet production must be done in a controlled way in the workshop environment. This can make a better way of producing and marketing. The state of our cultural heritage, which has been worried for days and millions of nodes, is reflective of today’s situation. New projects should be prepared in these lands to gain the old importance of the golden age of the 15th and 16th centuries. This article was also discussed at the 1930's industrial congress, the measures to develop the Turkish roof and the measures to be taken. During this period, due to the economic and industrial situation of Turkey and the global economic breakdown, development efforts are shown.

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