Abstract:

After 9/11/2001 Events has become important in conveying historical events and the problems experienced by people in both western and eastern cinema. Films mediate the reconstruction of the real with the effect of 9/11, and this fiction is equipped with ideological arguments. The directors of his films The Stoning of Soraya M. (2008) and The Patience Stone (2012) are originally from the East (Iran and Afghanistan), and both directors touch on important points regarding the representation of Muslim women and men after September 11th (9/11). When the movies after September 11 are examined, it is examined that the directors living in different worlds and regions spread the representations of eastern men and women, Muslim women and men in the narrative process with different aspects. This study focuses on how two Eastern directors handled the representations of Muslim women and men in the post-September 11 movies. In addition, in the films of Iranian Cyrus Nowrasteh's Stoaning of Soraya M. (2008) and Afghan director Atiq Rahimi's Patience Stone (2012), there are references to the place of Muslim women in social life, violence, freedom and the liberation of Muslim women.

Keywords: