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James Clarence Mangan’ın Sûfîlerin Mânisi Başlıklı Şiirinin Kur’an-ı Kerim ve Sufîlik Bağlamında Metinlerarası Bir İncelemesi
2021
Journal:  
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
Author:  
DOI:  
10.21497/sefad.1031670
Abstract:

James Clarence Mangan (1803-1849) Orta Doğu’nun kültürel ve sosyal atmosferini edebi eserlerine konu etmiştir. Bir kısmının çeviri olduğunu iddia ettiği şiirlerin yanı sıra tamamıyla kendisine ait olan şiirler de mevcuttur. Spiritüalizm ve mistisizme olan ilgisi sonucu Mangan, Orta Doğu merkezli kadim bir inanış olan ve Batı dünyasında sıklıkla İslam mistisizmi olarak adlandırılan Sûfîlik ile de özellikle ilgilenmişti. Aynı zamanda büyük Sûfî öğreticilerinin edebi külliyatına hakimdi ve Sûfî öğretilerini kendi ürettiği metinlerde de kullanmıştı. Bu metinlerden biri olan Sûfîlerin Mânisi isimli şiiri, yedi bölüme ayrılmasıyla ve her bölümün kendi içerisinde yarı düzyazı yarı şiir biçiminde sunulmasıyla özellikle dikkat çekicidir. Düzyazı kısımları her seferinde “besmele” ile başlayan şiirin hem içerik hem biçem açısından incelenmeye ve metinlerarası bir okumaya ihtiyaç duyduğu gözlemlenmiştir. Bu çalışmada, metinlerarasılık bağlamında yürütülen inceleme sonucu şairin yedi bölüme ayırarak her bir bent öncesi verdiği düzyazıların Kur’an’ı Kerim’in belli başlı ayetlerine yapılmış birer anıştırma olduğu sonucuna varılmıştır.

Keywords:

James Clarence Mangan's Poetry of the Mania of the Sufis is an Intertext Review of the Qur'an in the context of Kerim and Sufism
2021
Journal:  
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
Author:  
DOI:  
10.21497/sefad.1031670
Abstract:

James Clarence Mangan (1803-1849) discussed the cultural and social atmosphere of the Middle East in his literary works. In addition to some of the poems he claims to be a translation, there are also poems that belong to him entirely. As a result of his interest in spiritism and mysticism, Mangan was also interested in the Sufity, which is an ancient faith centered in the Middle East and often called Islamic mysticism in the Western world. He also mastered the literary culture of his great Sufy teachers and used Sufy teachings in his own texts. The poem, which is one of these texts, is remarkable by dividing it into seven sections and by presenting each of the sections in its own half-right half-poetry form. It has been observed that the poem, which begins with "base" every time, needs to be studied in terms of both content and shape and a intertext reading. In this study, the study conducted in the context of intertext has come to the conclusion that the poet has divided into seven sections, each of which has been given in front of the Qur’an as a summary of certain main verses of the Qur’an.

Keywords:

An Intertextual Analysis Of James Clarence Mangan's The Soffees' Ditty In Relation To The Koran and Sufism
2021
Journal:  
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi
Author:  
DOI:  
10.21497/sefad.1031670
Abstract:

James Clarence Mangan (1803-1849) expressed the Middle East's cultural and social atmosphere in his literary works. Except for some poems claimed to be translations, he has written original poetry as well. As a result of his interest in spiritualism and mysticism, Mangan was particularly interested in Sufism, an ancient belief centered in the Middle East and frequently called Islamic mysticism in the West. He also had a grasp of the literary canon of the prominent Sufi teachers, and he used Sufi doctrines in the texts he produced. One of these texts, The Soffees' Ditty is exceptionally intriguing with its seven chapters including both prose and verse. Stylistically, prose sections begin with "Bismillah!", which requires further stylistic and intertextual analysis. Hence, the intertextual analysis conducted revealed that each section preceding the verse and written in prose include various allusions to specific verses of the Koran.

Keywords:

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Selçuk Üniversitesi Edebiyat Fakültesi Dergisi

Field :   Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Uluslararası

Metrics
Article : 880
Cite : 1.835
2023 Impact : 0.144
Details
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi