In András Bálint Kovács’ work The Cinema of Béla Tarr: the Circle Closes, he discusses in detail the transformation of the Hungarian director’s cinema from beginning to end. From Yavuz Turgul to Terrence Malick, Cinema Essays offers a comprehensive and intercorrelated perspective of directors who stand in different distinct places, dealing with the truth and existence problem while not denying the unique qualities of each director.
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