Özet:

A post-structuralist critic, philosopher, writer, psychanalyst and novelist Julia Kristeva’s works are well known with its distinctness and interdisciplinarity. Kristeva brings light to social events in her theoretical and literary Works. Scrutinizing and evaluating the events, she harmonizes with literary policy. Kristeva’s third novel Possessions involves polyphonic and polymorphic features inherent in Bakhtine’s carnivalesque theory at the same time uses some discursive and psychological techniques among social language systems. Her narration, unlike usual fictions, includes postmodern performances and some references related to writer’s autobiography. Though the external “third person “(he/she) narrator” voice dominate the story, it’s given place to the autobiographical “first person (I) narrator voice and the internal narrator voice in case that the protagonist talks about her private life.  In narration of the novel, beside the diachronic narrative forms, the interbedded ones are seen, too.  In this study, applying to literary criticism technique of postmodern theory and making use of structuralist, modernist and postmodernist, we will analyze actually main themes, perspectives, levels of narrative voice, types of narration and their usage in novel.

Anahtar Kelimeler: