Walter Benjamin’s essay on artworks in the age of their reproducibility is one of the most cited essays in humanities study. In this study, it will be claimed that Benjamin’s claim for the rotting of aura in the twentieth century can be salvaged through another pioneer Laszlo Moholy-Nagy’s early photographic assemblage works, and a conceptual framework named ‘photographic design’ will be depicted. With this claim in mind, this essay also relates the twentieth century’s artworks’ loss of aura with the current status of neoliberal politics and its relationship with design and thus engages with current post-industrial theorists’ works as well.
Alan : Güzel Sanatlar
Dergi Türü : Ulusal
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