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  Citation Number 2
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UTKU VARLIK RESİMLERİNDE KADIN İMGESİ
2022
Journal:  
Pamukkale University Journal of Social Sciences Institute
Author:  
Abstract:

Sanat yaşamının ilk yıllarında gravür ve litografi gibi özgün baskı teknikleriyle politik eserler üreten Utku Varlık, 70’li yılların ortasından sonra sanat anlayışını değiştirerek yağlıboya ve pentür teknikleriyle düşsel konulu eserler üretmiştir. Eğitiminin ilk yıllarında Rönesans sanatına ve sanatçılarına ilgi duyan Varlık, ilerleyen süreçte kendi sanat anlayışını bulabilmek için farklı arayışlara girmiştir. Sanatını, fotoğraf ve edebiyat gibi sanatın farklı kollarıyla da besleyen Varlık'ın eserlerinde fantastik ögelerle oluşturulmuş, zaman-mekân algısının bulunmadığı kompozisyonlar dikkat çekmektedir. Sanatçı eserlerinde resim sanatında işlenen en eski ve en yaygın konulardan birisi olan kadın temasına ağırlık vererek, sanatının merkezine yerleştirmiştir. Eserlerindeki kadın temsillerini genellikle “Sanrı Bahçesi” olarak adlandırdığı düşsel mekânların içerisinde ve kullandığı tül detaylarıyla gizemli bir şekilde resmetmektedir. Bu çalışmada sanatçının kadın konulu resimleri sayıca fazla olduğundan, yalnızca 70'li yılların sonundan günümüze uzanan süreçteki eserleri 10’ar yıllık periyodlar halinde kronolojik sırayla ele alınarak, sanatında önemli bir rol oynayan kadın konusuna yaklaşımı ve eserlerinde kadın temsilleri üzerine odaklanılmaya çalışılmıştır.

Keywords:

Image Of Women İn The Works Of Utku Varlik
2022
Author:  
Abstract:

Utku Varlık, who produced political works with original painting techniques such as engraving and lithography in the first years of his art life, changed his understanding of art after the mid-70s and produced works of fantasy with oil painting and penture techniques. Being interested in Renaissance art and artists in the first years of his education, he sought different ways to find his own understanding of art in the following period. Compositions created with fantastic elements, without the perception of time and space, draw attention in the works of Varlık, who also nourishes his art with different branches of art such as photography and literarture. The artist focused on the theme of woman, one of the oldest and most common subjects in painting, and made it main subject of his art. He mysteriously depicts the representations of women in his works with the tulle details he uses in the imaginary places he called it the “Garden of Delusions”. In this study, since the number of the artist's paintings on women is high, only his works from the end of the 70s to the present are examined in 10-year periods in chronological order and it has been focused on his approach to the subject of women, which plays an important role in his art.

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Pamukkale University Journal of Social Sciences Institute

Field :   Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri

Journal Type :   Ulusal

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Pamukkale University Journal of Social Sciences Institute