Görüntüleme
12
Khaled Hosseini’nin Uçurtma Avcısı (2003) ve Orhan Pamuk’un Kırmızı Saçlı Kadın (2016) romanları, geçmişte işledikleri yüz kızartıcı eylemlerinden dolayı pişmanlık ve utanç duyan, acılarını dindirmek ve travmalarından kurtulmak için çareler arayan pek çok karakter tasviri ile olay örgüsü ve tema olarak oldukça paralellik göstermektedir. Hızla büyüyen İstanbul ve savaşta yakılmış-yıkılmış Kabil’in trajik değişiklikleri arka planda yer alırken, karakterlerin yaşamları kısırlık, uykusuzluk, ciddi hastalıklar gibi tıbbi sorunlarla daha da karmaşıklaşır ve sorunlarını kimseyle paylaşamayan karakterler edebiyatta teselli arar. Romanlardaki hakim olan tatsız atmosfer, hem eylemi gerçekleştirenleri hem de kurbanları farklı biçimlerde ve farklı derecelerde etkileyen ihanet duygusu ile daha da pekiştirilir. Baba katli ve evlat katlinin işlendiği Firdevsi’nin Rüstem ve Sührab ile Sofokles’in Oidipus’u gibi hikayelere sıklıkla yapılan atıflar ve göndermeler baskın olan utanç ve pişmanlık duygusunu artırır ve babalar ve oğullar arasındaki yürümeyen ilişkilerin altını çizer. Akın ve Baba’nın baba olarak şefkat, sevgi ve ilgi göstermedeki yetersizlikleri ve ilgisizlikleri baba vekili olarak betimlenen Mahmut Usta ve Rahim Han tarafından ancak kısmen telafi edilebilir ve Cem ve Amir uzun yıllar bu sevgisizliğin ceremesini çekerler. Her ne kadar işlerinde başarılı olsalar ve çok iyi evlilikler yapsalar da ne Cem ne de Amir geçmişlerinde sebep oldukları utanç verici eylemleri her ne kadar unutmaya çalışsalar da unutabilir, çok uzun yıllar kimseyle paylaşabilir ve tam anlamıyla mutlu olabilir.
Khaled Hosseini's Flight Hunter (2003) and Orhan Pamuk's Red Hair Woman (2016) novel shows a great parallel to the story and theme of many characters who regret and are shameful for their face-frosting actions in the past, seeking ways to relieve their pain and get rid of their trauma. While the rapidly growing Istanbul and the tragic changes in the war burned and destroyed Kabil are in the background, the lives of the characters become even more complicated with medical problems such as infertility, insomnia, serious diseases and the characters who cannot share their problems with anyone seek comfort in literature. The unpleasant atmosphere that dominates in the novels is even more reinforced by the feeling of betrayal that affects both the performers and the victims in different forms and degrees. Father murderer and child murderer, Firdevsi's Rüstem and Sührab and Sofokles's Oidipus's frequent references and sentences to stories, which increase the feeling of shame and regret, which is dominant, and throw down the unbeatable relationships between fathers and sons. The disadvantages and disadvantages of Akin and the Father in showing compassion, love and interest as the father's adjunct can only be partially compensated by Mahmut Master and Rahim Han, and Cem and Amir have long trapped the ceremony of this disappointment. Even though they are successful in their business and make very good marriages, neither the Cem nor the Amir can forget the shameful actions they have caused in their past, even if they try to forget, they can share very long years with anyone, and they can be completely happy.
Khaled Hosseini’s The Kite-Runner (Uçurtma Avcısı) (2003) and Orhan Pamuk’s The Red-Haired Woman (Kırmızı Saçlı Kadın) (2016) show many parallelisms in plot and theme with their portrayal of several characters who are suffering with remorse and shame for the disgraceful acts they committed. who are seeking ways to alleviate their pain and to recover from their trauma. With the tragic transformation of two cities, war-torn Kabul and booming Istanbul in the background, the characters’ lives are also complicated with medical problems like infertility, insomnia and severe diseases as the characters who are unable to share secrets attempt to find solace in literature. The prevailing grim atmosphere in the novels is further accentuated by particularly the sense of betrayal which agonizes both the victims and the perpetrators in different ways and to varying degrees. Repeated references and allusions to the stories like Rostam and Sohrab by Ferdowsi and Oedipus Rex by Sophocles which cover patricide and filicide lines aggravates the dominant feeling of shame and regret, and underlines failing relationships between fathers and their sons. The inability and indifference of the father characters, Baba and Akın, to show affection, love and care for their sons is partially compensated by surrogate fathers like Rahim Khan and Mahmut Usta, and Cem and Amir suffer for long years. Although both Cem and Amir are successful in their occupations and make very good marriages, neither of them can forget about their shameful acts in the past, share it with anybody or be happy.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
Makale Detay 
Benzer Makaleler
PDF Görüntüle
Dergi Bilgisi
Eseri Dinleyin
Alıntı Yap
Bu Sayfayı Yazdırın
Paylaş
Mendeley
