Abstract:

With the development of celi writing style in calligraphy in the 19th and 20th centuries, the writing, which had previously bean in architecture and book arts, was written by the calligraphers to hang on the walls of the spaces. In this way, a different design area was created for the calligraphers, and especially with the stacks they made, the opportunity to develop their creativity and do new compositions emerged. Tetâbuk applications, in which similar parts of letters and words seen on architectural works are used in calligraphy, were also used as a composition form on levha works. In this article, tetâbuk applications seen on the levhas in calligraphy will be examined by giving information about calligrapher, date, phrase, type of writing, etc., and stating the stacking characteristics on the levha. The text of the levha will be clearly written in order to understand tetâbuk practices in the writings. In addition, it will be tried to be analyzed how the tetâbuk practices are made in the calligraphy works with the drawings made on the compositions.

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