Özet:

This article is based on the problem of how the musical activates in communication not alone musical but cultural and social elements. As social practice, the music shows both his communicative power and the limits of the communication (understood as an exchange of messages and meanings). In this respect, the noise appears as a factor of disruption in the semiological circuit and in the social relations too. The question of the noise deals with a border aspect about the sound and the music, since it can be observed in diverse examples taken of the avantgarde (bruitism) up to the popular contemporary music (noise), and through music genres as punk-rock or tecno-music.

Anahtar Kelimeler: