Görüntüleme
122
İndirme
24
Türk Müziği saz icracılığının önde gelen isimlerinden biri olan Tanbûri Cemil Bey, gerek bestekarlığıyla gerek taksim icralarıyla Türk Müziğine önemli katkılarda bulunmuştur. Hem kendi döneminde hem de kendinden sonraki dönemlerde bir ekol haline gelmiş, özellikle taksimleri teknik ve makamsal açıdan herkesi etkilemiştir. Bu araştırma, Tanbûri Cemil Bey’in Pesendide makamındaki klasik kemençe taksim icrasının günümüzde kullanılan Arel nazariyatı ile arasındaki benzerlik ve farklılıkları ortaya koymak amacıyla yapılmıştır. Arşiv taraması ile pesendide taksim icrasına ulaşılmış ve notaya alınmıştır. Ardından makamsal seyir bakımından incelenmiştir. Pesendide makamına ait bilgiler Arel’in Türk Musikisi Nazariyatı Dersleri adlı kitabından alınmış ve Tanbûri Cemil Bey’in taksimi ile karşılaştırmalı analizi yapılmıştır. Bunun sonucunda Arel’in Pesendide makamı tanımı ile Tanbûri Cemil Bey’in taksim icrası arasında benzerlik ve farklılıkların olduğu görülmüş ve yapılan karşılaştırmalar sonucunda bu benzerlik ve farklılıklara yer verilmiştir.
Tanbûri Cemil Mr, one of the leading names of the Turkish music executive, has made significant contributions to Turkish music with its composition and taxis. It has become an echo both in its own period and in its subsequent periods, especially its taxis have affected everyone in technical and administrative terms. This research has been done to reveal the similarities and differences between the classical cement taxi execution in the office of Tanbûri Cemil Mr. Pesendide and the Arel Nazariyat, which is used today. The archive scan has been reached and taken into note on the tax executive. It was then examined in terms of authority. The information of his authority was taken from Arel's Turkish Music Nazariyatı lessons and comparative analysis with Tanbûri Cemil Mr. was made. As a result, there were similarities and differences between Arel's definition of the office in Pesendide and Tanbûri Cemil's tax execution, and comparisons resulted in these similarities and differences.
Tanbûri Cemil Bey, one of the leading names in Turkish music instrument performance,he made important contributions to Turkish Music with both his compositions and the performance of improvization. He has become an ecole both in his own period and in the periods after his own, especially his improvization impressed everyone in terms of technical and maqam. This research was made in order to reveal the similarities and differences between the classical kemanche improvization performance in the Pesendide makam of Tanbûri Cemil Bey and the Arel theory used nowadays.The Improvization performance has been reached with archive scanning and noteted. Then it was examined in terms of maqam pattern.Information about the Pesendide maqam is taken from Arel's Turkish Music Theory Lessons and comparative analysis is done with Tanbûri Cemil Bey’s improvization. As a result, it was seen there were similarities and differences between Arel’s definition of Pesendide maqam and Tanbûri Cemil Bey’s improvization performance and as a result of comparisons these similarities and differences are included.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
Makale Detay 
Benzer Makaleler
PDF Görüntüle
Dergi Bilgisi
Eseri Dinleyin
Alıntı Yap
Bu Sayfayı Yazdırın
Paylaş
Mendeley
